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LUXURY BOOM

John Marron  “Mississippi Soleri Stilt House”, acrylic, 15” x 15”, 2017, SOLD

John Marron “Mississippi Soleri Stilt House”, acrylic, 15” x 15”, 2017, SOLD

Irene Riegner  “Before Glass:  Brick and Mortar Buildings” photography, 13” X 19”, 2019

Irene Riegner “Before Glass:  Brick and Mortar Buildings” photography, 13” X 19”, 2019

Maria Mijares  “SILVER & GOLD”, acrylic on linen, 24” x 32”, ©2007

Maria Mijares “SILVER & GOLD”, acrylic on linen, 24” x 32”, ©2007

Irene Riegner “Inside the Glass Towers: The Masters of the World” photography 
(Sculpture by (Michelle Post), 2019 13” X 19”,

Irene Riegner “Inside the Glass Towers: The Masters of the World” photography 
(Sculpture by (Michelle Post), 2019 13” X 19”,

John Marron and Jerry Hirniak’s collaboration –   “High Rise: Progress is NOT our most Important Product” , ink, metal, acrylic, 17” x 22”, 2016, NFS

John Marron and Jerry Hirniak’s collaboration – “High Rise: Progress is NOT our most Important Product” , ink, metal, acrylic, 17” x 22”, 2016, NFS

Jennifer Manzella “Pile near Second and Oxford” copper etching, 9” x 9”, 2019

Jennifer Manzella “Pile near Second and Oxford” copper etching, 9” x 9”, 2019

Jennifer Manzella “Northern Liberties, Second and Poplar” copper etching,9” x 9”, 2019

Jennifer Manzella “Northern Liberties, Second and Poplar” copper etching,9” x 9”, 2019

Jennifer Manzella  – “Under the El Front and Master” copper etching, 9” x 9”, 2019,

Jennifer Manzella – “Under the El Front and Master” copper etching, 9” x 9”, 2019,

Joanne Amantea “Moving On”, acrylic, pencil, vintage real estate ads on canvas, 20” x 16”, 2017,

Joanne Amantea “Moving On”, acrylic, pencil, vintage real estate ads on canvas, 20” x 16”, 2017,

Bill Bonner “Movin’ On Up”, found object, sculpture on motorized rotating platform, 12”x 8” x 8” 2020

Bill Bonner “Movin’ On Up”, found object, sculpture on motorized rotating platform, 12”x 8” x 8” 2020

Larry McCandlish “Collapse on Maiden Lane”, inkjet dye on paper,  18” x 11”, 2019

Larry McCandlish “Collapse on Maiden Lane”, inkjet dye on paper, 18” x 11”, 2019

Michele Guttenberg “Homeless in San Francisco” oil on canvas, 27” W x 39” H, 2006

Michele Guttenberg “Homeless in San Francisco” oil on canvas, 27” W x 39” H, 2006

Brian McCormack – “Ahhhh Progress” inkjet dye on paper, 12” x 18” 2020

Brian McCormack – “Ahhhh Progress” inkjet dye on paper, 12” x 18” 2020

Brian McCormack “Meridia 2 Panorama” inkjet dye on paper, 12” x 18” 2020

Brian McCormack “Meridia 2 Panorama” inkjet dye on paper, 12” x 18” 2020

Brian McCormack “Fire Escape” inkjet dye on paper, 12” x 18” 2020

Brian McCormack “Fire Escape” inkjet dye on paper, 12” x 18” 2020

Joan Sonnenfeld “Stream of Gold” oil and collage on canvas

Joan Sonnenfeld “Stream of Gold” oil and collage on canvas

Peter Aldrich “Homeless Along the Gold Coast” digital photo/archival pigment print, 11” x 14”, 2016

Peter Aldrich “Homeless Along the Gold Coast” digital photo/archival pigment print, 11” x 14”, 2016

Nanette Reynolds Beachner “Striations” mixed media, found paper, acrylic on canvas board,12 x 36, 2020

Nanette Reynolds Beachner “Striations” mixed media, found paper, acrylic on canvas board,12 x 36, 2020

Brad Terhune “There Goes The Neighborhood”, collage on paper, 8 x 8” (framed by 12 x 12”), 2019

Brad Terhune “There Goes The Neighborhood”, collage on paper, 8 x 8” (framed by 12 x 12”), 2019

Neil Besignano “Town Hall, Demolished New Brighton, Staten Island, NY” oil on canvas,  41” w, x 28” H

Neil Besignano “Town Hall, Demolished New Brighton, Staten Island, NY” oil on canvas, 41” w, x 28” H

Brad Terhune “Backyard Barbeque”, collage on paper, 8 x 8” (framed by 12 x 12”), 2019

Brad Terhune “Backyard Barbeque”, collage on paper, 8 x 8” (framed by 12 x 12”), 2019

Mary Jean Canziani “THE CONQUERORS”, Acrylic on Repurposed Book,9” x 12”, 2020

Mary Jean Canziani “THE CONQUERORS”, Acrylic on Repurposed Book,9” x 12”, 2020

Luis Alves Collage:  –  “WHITE POOR” framed handmade collage, 2020, 18”x18”

Luis Alves Collage: – “WHITE POOR” framed handmade collage, 2020, 18”x18”

Peter Aldrich “Transition and Displacement” digital composite image / archival pigment print,  18” x 24”, date: 2020

Peter Aldrich “Transition and Displacement” digital composite image / archival pigment print, 18” x 24”, date: 2020

Luis Alves Collage: “The New Poor” framed handmade collage,  2020, 13×16,

Luis Alves Collage: “The New Poor” framed handmade collage, 2020, 13×16,

Ellen Rebarber “Waiting for the Bulldozer” fused glass on Rosewood base,11”H x 18 1/2”W, 2020

Ellen Rebarber “Waiting for the Bulldozer” fused glass on Rosewood base,11”H x 18 1/2”W, 2020

Robert Lowe –  “Homeless in Paris” watercolor, 20” H x 16” W, 2019

Robert Lowe – “Homeless in Paris” watercolor, 20” H x 16” W, 2019

Danielle Corin Cartier – “Say Goodbye” acrylic paint and mixed media on found window panel, 30” x 30”, 2019

Danielle Corin Cartier – “Say Goodbye” acrylic paint and mixed media on found window panel, 30” x 30”, 2019

Katie Knoeringer – “Saint Patrick”, acrylic and pencil on found folder, 42” x 31”, 2018

Katie Knoeringer – “Saint Patrick”, acrylic and pencil on found folder, 42” x 31”, 2018

Katie Knoeringer –  “Martha Dear One”, acrylic and pencil on found folder, 42” x 31”, 2018

Katie Knoeringer – “Martha Dear One”, acrylic and pencil on found folder, 42” x 31”, 2018

Robert Richardson  – “Displaced”, mixed media installation, 7ft. H x 3ft W x 3ft. D, 2020

Robert Richardson – “Displaced”, mixed media installation, 7ft. H x 3ft W x 3ft. D, 2020

Deirdre Sheean  –  “Just around The Corner”, acrylic, 20” x 14”, 2019,

Deirdre Sheean – “Just around The Corner”, acrylic, 20” x 14”, 2019,

Deirdre Sheean  – “City Grind” acrylic, 13” x 10.5” , 2019,

Deirdre Sheean – “City Grind” acrylic, 13” x 10.5” , 2019,

Jeremy Sims “What it Contains”, multi-fired ceramic, 9”H  x 5.4W  x  6.2D, 2019, $320.00

Jeremy Sims “What it Contains”, multi-fired ceramic, 9”H x 5.4W x 6.2D, 2019, $320.00

Kenny Schuyler
 –  “Chunk” 14” x 8” x 4” found steel object, 2020,

Kenny Schuyler
 – “Chunk” 14” x 8” x 4” found steel object, 2020,

Luxury Boom
March 28th to extended date June 7th 2020 

So called Luxury Housing is on the rise everywhere in New Jersey. Developers and politicians are conjuring up sweet deals to blight older and disadvantaged neighborhoods, while promising citizens tax breaks and underestimating the costs of additional citizens. They’re knocking down majestic historical structures, many embellished with unique architectural design elements going back 100 years or more, and replacing them with massive, cheaply constructed, mediocre multiplexes. Built to attract young professionals, luxury housing is not cheap. The high rents also set a damaging (and very likely intentional) precedence, because the surrounding poorer neighborhoods are usually lacking the advantage of  rent control, and are effected with rent hikes as a result. This forces poor and working class people to exit their towns at three times the rate than in areas without luxury housing…. and tragically this can lead to a cycle of poverty, and even homelessness.

For this exhibition Hamilton Street Gallery has chosen over 20 artists working in a variety of media. The selections focus on wealth and poverty in connection to housing, environment and quality of life, as well as the effects of overdevelopment, historically, and aesthetically.