by Brian McCormack | Nov 4, 2019
“Threshold to Everywhere” was taken or made in the Fall of 2017 at the Princeton Day School Bio-Dynamic Farm near an amazing sunset vegetable garden and an outdoor ecology classroom. William Blake famously painted an alchemist lantern man surrepticiously stepping...
by Brian McCormack | Nov 4, 2019
Many of my newer images are about silhouettes, high contrast and color. Even though they are all straight photographs, I enjoy the ambiguity and abstract quality of what is in darkness.
by Brian McCormack | Nov 4, 2019
Walt Nygard’s Drawing and Prints is a distillation of a lifetime of ephemeral work by a boy, then a man, on Big Chief tablets, high school notebooks, helmet covers, Straithmore pads and Combat/Frontline paper. Always trying to capture action and dream, Walt found the...
by Brian McCormack | Nov 4, 2019
“The dictionary defnes ‘ah’ as an expression used to describe delight, relief, regret or contempt. Our everyday world is flled to the brim with objects and people and places that demand nothing more of us than the acknowledgment of their existence. In my work I am...
by Brian McCormack | Nov 4, 2019
When the shadow is isolated or removed or freed from its source in a work of art, it may be perceived as being more than an echo or enhancement of an object. It may now take on its independent presence with its own identity.
